Modern Love

On the Emmy- and Peabody-winning series “The Bear,” Liza Colón-Zayas plays Tina Marrero, a cook at the Chicago restaurant at the center of the story. Tina and her fellow workers are in a constant struggle for the survival of their restaurant, and they fight just as fiercely with one another. Only at rare moments do we see them drop the tough exterior and show one another love or respect. Today, Colón-Zayas reads “A Web Between Her Body and Mine [https://www.nytimes.com/2023/01/06/style/modern-love-a-web-between-her-body-and-mine.html],” by Karen Paul. It’s a Modern Love essay about two friends who also met at work, but have a different kind of bond: Karen has no problem showing affection to her best friend, Miriam. But after Miriam has a terrible accident, Karen finds herself in uncharted territory, not certain when, or how, to support her. It’s a story Colón-Zayas says she relates to personally, and her reaction to it takes her by surprise.

John Paul Brammer writes the “¡Hola Papi!” advice column for The Cut at New York magazine, answering questions like, “Why am I dreaming about sex with a man when I’m a lesbian?” Or, “What if my partner judges me for writing smut?” This candor has given John Paul an intimate connection with his readers. However, as today’s episode reveals, he doesn’t think we necessarily need that level of openness with all of our loved ones. Ahead of Mother’s Day, Brammer reads an essay about a recent college graduate who sets out to spend the summer exploring his sexuality, but whose plans are derailed by his duty to his grandmother. It’s called “Young, Gay and Single Among the Nuns and Widows [https://www.nytimes.com/2022/10/21/style/modern-love-young-gay-and-single-among-the-nuns-and-widows.html]” by Kevin Hershey. Brammer says it’s “bizarre” how much this essay resonates with his own life.

Emily Ratajkowski is doing a balancing act many famously beautiful women have to perform. In her 2021 book “My Body,” she reflects on what it’s been like to build a career based on her public image, and her struggle to control that image in an industry largely run by men. Since getting divorced a few years ago, she’s been thinking a lot about gender dynamics and the type of agency she wants to have in dating, too. Today, Ratajkowski reads “Why I Fell for an ‘I’m the Man’ Man [https://www.nytimes.com/2018/10/26/style/modern-love-im-the-man.html],” by Susan Forray. Forray is also a successful, self-sufficient woman, dating after divorce. She’s surprised to find herself falling for a man with old-fashioned ideas about who does what in a relationship. (He pays for dinner, handles the finances and initiates sex). As a single mom who handles everything, Ratajkowski says, she can relate to the desire to be cared for once in a while. And that doesn’t have to mean playing into a sexist stereotype.

Laufey, the 25-year-old singer-songwriter, has risen to prominence by taking the trials of today’s dating world — casual relationships, no labels and seemingly endless swiping on apps — and turning them into timeless love songs. Today, Laufey reads Coco Mellors’s essay, “An Anxious Person Tries to Be Chill [https://www.nytimes.com/2021/09/10/style/modern-love-an-anxious-person-tries-to-be-chill.html],” which is about a woman trying to work through her deep-seated relationship anxieties and attachment issues in an on-again, off-again situationship. Laufey says she, too, has been an anxious partner. While she thinks a toxic relationship, like the one in the essay, can make for a great love song, she now knows secure relationships can make beautiful music, too.

The actor John Magaro is picky about whom he goes to dinner with. Magaro is an adventurous eater. So whether he’s buying offal from the butcher, making stews from the 1800s or falling in love over a plate of rabbit, he says it’s important to him that the people he shares a meal with are willing to be curious. For Magaro, it’s about more than personal preferences. Sharing a meal and connecting with other people, he says, is the bedrock of society. Magaro played Arthur in “Past Lives,” one of our favorite movies last year. His character is constantly working to understand his wife on a deeper level. And Magaro sees that quality in “My Dinners With Andrew, [https://www.nytimes.com/2005/09/18/fashion/sundaystyles/my-dinners-with-andrew.html]” by Sara Pepitone, a Modern Love essay about food as a love language, and a series of dinners that make, and break, two relationships.